I have a lot of feelings about this article, but since I am part of The Stewart GenerationTM and therefore "aloof hipness trumps emotional attachment" for me, I'm going to start off with some sarcasm and cynicism: oh, goody, the old progressive populists versus liberal elitists argument again, in which we must be reminded that "liberal" and "elite" are dirty words. The difference, of course, is this article uses Jon Stewart and Michael Moore to get page hits symbolize everything that's good and pure about progressive populists and wrong with liberal elitists.
I'm not a Michael Moore fan, but I actually started off a lot more sympathetic to the arguments in this article than I am now, mostly because I agree that Jon Stewart should neither be above reproach nor canonized as the patron saint of the American left. So what happened to change my opinion? I reached the end of the article, which contained this: Michael Moore is a populist and Jon Stewart is an elitist.
It made something in my brain click, and then I went back through the article and realized it has a rather anti-intellectual bent, and I am so god damn sick that attitude in American politics. This article manages to use words like "educated" and "erudite" in the same scornful, pejorative manner you typically hear coming from the right.
The anti-intellectualism starts pretty early: I have recently argued with two self-proclaimed liberal college professors who attacked Moore for “ambushing” Charlton Heston and often “getting his facts wrong.” I love how the criticism "'getting his facts wrong'" is put on the same level as "'ambushing' Charlton Heston" so it can be dismissed just as easily. The comment about ambushing is an opinion on Moore's approach, something you are free to agree or disagree with. Getting facts wrong, on the other hand, is something that can be proven. If it's true Moore got his facts wrong somewhere, it's a valid criticism of him and his work. Rather than tell us what those damnable professors think Moore got wrong -- and if they didn't specify and give evidence to support their argument, why didn't the author ask them to? -- and whether or not they were right about it, the article just expects us to roll our eyes and dismiss the claim, as if it's either impossible or insignificant. Instead, we're supposed to focus on the "moral outrage and romantic sentimentality [Moore brings] to his films, interviews, speeches, and books," and the way "Moore weeps, shouts, and uses words like 'love' and 'God.'"
Truthiness: 100% greater than just plain truth, apparently.
The article also talks about how Moore is a college dropout while Stewart is the "son of a physics professor, a college graduate, and an avatar of the intellectually superior style of yuppie political communication" that involves projecting the image of being an "erudite, sophisticated critic who knows better than everyone else." My problem isn't the argument that college dropouts can make worthwhile contributions, or even the argument that educated liberals look down on people like Moore. My problem is the insinuation that this makes the people who make emotional arguments somehow more correct, or at least more worthy of praise, than people who make intellectual arguments and who, good heavens, have the gall to have "sanctimonious self-confidence in being right." (Incidentally, when you're using facts, it's a lot easier to be confident you're right.) Stewart's arrogance might not bring people over to the left in the same way as Moore's weeping, but, despite the article's claim that "the liberal character...prefers detached satire as the ultimate weapon of political persuasion," Stewart's goal is to entertain his audience, not persuade people to believe in the left's causes. Hell, their goals are so different, it doesn't even make sense to compare Moore and Stewart and the way "the cocktail party and faculty lounge scene of the liberal establishment" reacts to them.
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get page hitssymbolize everything that's good and pure about progressive populists and wrong with liberal elitists.I'm not a Michael Moore fan, but I actually started off a lot more sympathetic to the arguments in this article than I am now, mostly because I agree that Jon Stewart should neither be above reproach nor canonized as the patron saint of the American left. So what happened to change my opinion? I reached the end of the article, which contained this: Michael Moore is a populist and Jon Stewart is an elitist.
It made something in my brain click, and then I went back through the article and realized it has a rather anti-intellectual bent, and I am so god damn sick that attitude in American politics. This article manages to use words like "educated" and "erudite" in the same scornful, pejorative manner you typically hear coming from the right.
The anti-intellectualism starts pretty early: I have recently argued with two self-proclaimed liberal college professors who attacked Moore for “ambushing” Charlton Heston and often “getting his facts wrong.” I love how the criticism "'getting his facts wrong'" is put on the same level as "'ambushing' Charlton Heston" so it can be dismissed just as easily. The comment about ambushing is an opinion on Moore's approach, something you are free to agree or disagree with. Getting facts wrong, on the other hand, is something that can be proven. If it's true Moore got his facts wrong somewhere, it's a valid criticism of him and his work. Rather than tell us what those damnable professors think Moore got wrong -- and if they didn't specify and give evidence to support their argument, why didn't the author ask them to? -- and whether or not they were right about it, the article just expects us to roll our eyes and dismiss the claim, as if it's either impossible or insignificant. Instead, we're supposed to focus on the "moral outrage and romantic sentimentality [Moore brings] to his films, interviews, speeches, and books," and the way "Moore weeps, shouts, and uses words like 'love' and 'God.'"
Truthiness: 100% greater than just plain truth, apparently.
The article also talks about how Moore is a college dropout while Stewart is the "son of a physics professor, a college graduate, and an avatar of the intellectually superior style of yuppie political communication" that involves projecting the image of being an "erudite, sophisticated critic who knows better than everyone else." My problem isn't the argument that college dropouts can make worthwhile contributions, or even the argument that educated liberals look down on people like Moore. My problem is the insinuation that this makes the people who make emotional arguments somehow more correct, or at least more worthy of praise, than people who make intellectual arguments and who, good heavens, have the gall to have "sanctimonious self-confidence in being right." (Incidentally, when you're using facts, it's a lot easier to be confident you're right.) Stewart's arrogance might not bring people over to the left in the same way as Moore's weeping, but, despite the article's claim that "the liberal character...prefers detached satire as the ultimate weapon of political persuasion," Stewart's goal is to entertain his audience, not persuade people to believe in the left's causes. Hell, their goals are so different, it doesn't even make sense to compare Moore and Stewart and the way "the cocktail party and faculty lounge scene of the liberal establishment" reacts to them.